ALVES, Rubem. Variações sobre o prazer: Santo Agostinho, Nietzsche, Marx e Babette. São Paulo: Editora Planeta do Brasil, p. Review received on. Variações sobre o prazer by Rubem Alves is Fiction & Literature Este livro traz a você, leitor, uma proposta: que tal se o prazer, em todas suas variações. PDF Top Books Fiction And Literature Miniweb ateneomotrilinfo. Variações sobre o prazer. Rubem Alves. Fiction & Literature.
|Language:||English, Arabic, French|
|Genre:||Health & Fitness|
|ePub File Size:||18.75 MB|
|PDF File Size:||10.78 MB|
|Distribution:||Free* [*Register to download]|
Este artigo introduz Rubem Alves em dois momentos: um primeiro como acadêmico. e o segundo . and Variações Sobre a Vida e A Morte ou o Feitiço Erótico-Herético da Teologia. (Variations of .. ALVES, R. A. Variações sobre o prazer. ASIN: BGSLYGC, tutorials, pdf, ebook, torrent, downloads, rapidshare Variações Sobre o Prazer - Rubem Alves () Strawberry, Sim. Download as PDF, TXT or read online from Scribd. Flag for inappropriate content Variacoes Sobre o Prazer - Rubem Alves. Cargado por. אלברטורודריגס.
Alves was forced to return to the United Sates because he was being persecuted by both the military and his own church. Only his theological studies, next to another Princetonian, Richard Shaull,  could offer a glimpse of what Alves was going to accomplish with such quality and exuberance. Alves is one of the greatest figures of contemporary Brazilian literature, in addition, of course, to the place he reached in the theological and intellectual realm.
As a young man, Alves embraced and fought for an ideological militancy that led him to write notable texts, essential in understanding the spiritual climate of those days.
The young Alves would become someone who, without thinking that he had lost time, came late to poetry, even though many of his essays, in reclaiming the human body, imagination, eroticism, and magic, were already opening the door to a new form of expression, one that he himself did not suspect.
A frustrated pianist, the music of poetry and literature waited for him until they possessed him in body and soul. Its project to reconfigure the interplay between religious studies, history, and politics became a meaningful topic of analysis and dialogue in the general theological discourse.
Many scholars perceive in its emergence a drastic epistemological rupture, a radical change in paradigm, a significant shift in both the ecclesial and social role of theology.
Both point to a project of liberation which includes not only the material but also the spiritual and corporal realms. The last part of the book explores the possibilities of a new language for faith and theology, which vindicates joy and play. He met the former in Switzerland in , at a conference on Theology and Development, and they agreed that was not the correct formulation, since the conditions in the continent depended rather on the dynamic of oppression-liberation, the discussion of which was very much in vogue in those years.
A personal testimony of the Rev. With his erudition, his ecumenical and social commitment, he helped draft the founding documents that are a basis of the IPU. He was not interested in giving us moral lessons or transmitting the absolute and indisputable truth. As a good theologian, philosopher and educator, he was more interested in making us think, reflect and question the immutable truths of theology and urged us to envision new possibilities and new ways of living our faith.
Rubem led us to deserts and invited us to be gardeners and planters of hope. The stages of his thought are distinguished first by a search for the activity of God in history and then by an investigation of the ludic and erotic possibilities of human life in the world. In several occasions Alves made an attempt to explain its biblical and theological roots, as well as the way in which he moved to the other style, particularly in the re-editions of his former books.
However, there came a time when I ceased to find enjoyment in writing for my peers. I began to write for children and ordinary people, playing with humor and poetry. I just want to portray. There is a thread that assembles them as pearls in a necklace. Yet each text is a complete unit. Through them I try to say what I have come to feel about the sacred.
I only ask that they permit theirselves to promenade through unknown woods. I became different. I believe God has strange ways of doing things.
One of them is turning them upside down. I decided to accept the risk of playing the role of the jester. This book was largely misunderstood by his colleagues, since in it he carries out an imaginative analysis of the dominant technological system, beginning with its own cultural premises.
One of his metaphors consists in comparing the present world with the large dinosaurs, whose voracity prevented them from surviving, as opposed to lizards which survive until the present time. Back in Brazil, he resigned his membership in the church in and began his career as university professor. His words are hard and sensitive: Horizons become different according to the vantage point from which we look at them. The new vision of our space, our time, and our lives unveiled to our eyes a Bible that had been hidden hitherto.
What a discovery it was for us to see that the Bible is at home in the world! We began to perceive that from its beginning to its end there is an unfaltering celebration of life and its goodness. It is good to be alive, it is good to be flesh and blood, it is good to be in the world.
Suddenly the Calvinist obsession with the glory of God seemed to us profoundly inhuman and anti-biblical. Is not God himself concerned with the happiness of man? Is not man His ultimate concern? Is not God a humanist, in the sense that man is the only object of His passion?
Bonhoeffer became our companion. We read him with amazement […]  And he concludes: So what? Is there any way out of this situation? One thing I know for sure. In the business of living, one must not live by certainties —but by visions, risks, and passion. Maybe this is what Paul had in mind, when he said that we are saved by hope, i. The tragedy of our decadent civilization, it seems to me, is due to its fear of losing itself. This is the sin of both nations and individuals.
And when we are entrapped in our heart which is bent upon itself, can we have any hope of rebirth and new life?
The enemy of realism, who fought intense battles, unknown to many, was far gone. No one took it from me, but one day, for reasons unknown to me, something happened to me. I was possessed and remain possessed by the poetic form whenever I write.
EDOARDO GRENDI Jogos de Escalas
Side by side to his permanent concern, poetry accompanied him constantly and never left him; on the other hand, the knowledge of the authors that had marked him enlightened his new work profoundly. He written about it in a brief chronicle from Quarto de badulaques Room of trinkets; ; Spanish: , my translation, a really musing about many themes where he practices a very personal journey. What a shame! So much lost time! Poetry is one of my greatest sources of joy and wisdom.
Joel Wolowelsky - Divine Literature and Human Language Reading the Flood Story
If you do not, try to do it. Change the television programs for poetry. Only fools believe that they understand it! Only speakers have the pretensions to understand poetry! It is to be seen. Read the poem and try to see what it paints! Do you need to understand a mole?
A cloud? A tree? The sea? It is enough to see it. Seeing, without understanding, is happiness! Read poetry so that your eyes open.
And at that point, he offers his specific recommendations, some of the names that resulted in being significant in his path as a poetry reader. Alberto Caeiro, a heteronym of the Portuguese Fernando Pessoa , with whom he identified a great deal for his lightness and pantheistic tendencies. This is a list already filtered through the years and enriched by long periods of reading in which he was accompanied by many friends at a weekly gathering in Campinas.
Read poetry to be calm. Read poetry in to beautify yourself. Read poetry to learn how to listen. Have you thought, perhaps, that you speak too much? In a memorable lecture from , Alves bitterly complained of the null protestant presence in the literature of his country, something inexplicable given the antiquity of the historical churches and the acceptable level of culture that had characterized them. I look for a great romance, a great novel… in vain […] It so happens that literature cannot survive this didactic obsession, because literature is aesthetic, contemplative.
Its value is in direct relationship to its capacity to produce structural paradigms through which the hidden fractures and daily links are seen. Protestant literati cannot escape the witchery of their habits of thought. Their novels are disguised sermons or Sunday school lessons. In the end the grace of God always triumphs, believers are rewarded, and impiety is punished.
There is no need to read the last chapter. What is Religion? The little book 80 pages that was published the same year, and whose title was The poet, the warrior, the prophet El poeta, el guerrero, el profeta , would become the base for those lectures.
Meditations about poetry in , after the publication of the Portuguese version in That book contains the quintessence of what the author developed in his whole life about human realities influenced by a poetic perspective. He was about to discover T. Eliot , a great poet from the United States, but raised at United Kingdom, Nobel Prize winner in , who would shake him up even more, and Octavio Paz, who would complete his esthetic panorama through his ideas exposed in the book El arco y la lira The Bow and the Lyre.
Theology and poetry in strong dialogue: The poet, the warrior, the prophet , The poet, the warrior, the prophet is a magnificent mix of attitudes towards life that, in the writing cauldron of Rubem Alves resulted in an stupendous stew, because on top of everything else, it is illustrated with the works by M.
All our knowledge brings us nearer to our ignorance, All our ignorance brings us closer to death, But nearness to death does not bring us nearer to God.
Where is the Life we have lost in living? Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information? The heavenly cycles in twenty centuries bring us farther from God and nearer to the Dust. As in the words of St. Augustine, the body just wants to enjoy, and enjoy infinitely. Words are bridges in which he agrees with Octavio Paz and objects to reach the joy that can lead to poetry. There are not many. Poets and mystics have suggested that they are a single Word, the one that contains the universe.
Those that are born from the mouth express reunion and possession. Each individual should read the Scriptures in the same way a poem is read in solitude, without intermediate voices of interpretation.
The interpreters should remain silent so that the voice of the Stranger could be heard: The inner witness of the Holy Spirit. It was believed that the forgotten words written in our flesh and the Word coming from the past would encounter each other and would make love -and so the miracle would happen. If, by sheer grace, the Wind was blowing and the absent melody was heard, the dead would be raised. Meditations on Poetry, , And this is so if we consider that in an earlier work, Poetry, Prophecy, Magic.
Mediations it was possible to see the ever closer approximation to a language and literary style that would eventually dominate his writing, highly academic and activist, once marked by liberation theology, which he helped found in the late sixties. The intermediate stage is captured in the book whose title was very similar in both languages, English and Portuguese: The poet, the warrior, the prophet , O poeta, o guerreiro, o profeta, The Edward Cadbury lectures, that Alves delivered at the University of Birmingham, England, in , served to channel the metamorphosis though which he realized that poetry was waiting for him for a long time until he found it and never let him go afterwards.
At that time, he did not feel in full control of those resources. He weighted possibilities, exercised his pen, and he allowed himself to be taught by new teachers.
I chose the first name thinking of the stomach sensitivities of the people. They attended the banquet, but they swore that they did not feel the taste of the food. What happens is that what I want is to be a sorcerer, because I find that biblical faith is a blend of sorcery and wisdom. I know that modern theologians would curse me and say that I went crazy.
I understand them. A long time ago we stopped understanding each other. Se ao menos as dissessem sottovoce, o dano seria menor. Hoje em Dia. Amar se aprende amando. Houve, portanto, um trabalho intencional de linguagem. Quando eu vim de minha terra, Despedi da parentaia.
Eu entrei no Mato Grosso, Dei em terras paraguaia. Cuitelinho: Diminutivo de cuitelo. Nome popular dos beija-flores. Pereba: pequena ferida, sarna.
Mais ortodoxo que reclame de xarope. O autor se vale da linguagem popular, com bastante criatividade.
Opções de acessibilidade
Senhor pergunte aos moradores. No entanto, em um ambiente extremamente formal, deve-se tomar cuidado com o emprego da linguagem. O humor decorre da passagem inesperada da linguagem formal para a informal.
Caracteriza, geralmente, o falante medianamente escolarizado. Fonte: Estado de Minas, 5 de set. Caracteriza o falante com baixo ou nenhum grau de escolaridade. Fonte: Caderno Distrito Federal.Meditations about poetry in , after the publication of the Portuguese version in In Egypts base-ten culture, Josephs age at the time of his deathwas considered the ideal lifespan.
Each individual should read the Scriptures in the same way a poem is read in solitude, without intermediate voices of interpretation. Eliot , a great poet from the United States, but raised at United Kingdom, Nobel Prize winner in , who would shake him up even more, and Octavio Paz, who would complete his esthetic panorama through his ideas exposed in the book El arco y la lira The Bow and the Lyre.
That variation is definitive; everything is redefined almost entirely: his approach to the form of knowing of the cook is emphatic. The stages of his thought are distinguished first by a search for the activity of God in history and then by an investigation of the ludic and erotic possibilities of human life in the world.